Nate Martin's Escape Room Pet Peeves

I’m frequently asked for escape room design decisions that I think are bad. I almost always dodge the question for two very important reasons:

1. As a known entity in the industry, I’ve more than once made the mistake of voicing my own opinion without properly caveating it. This has had outsized consequences, and it’s generally better to keep my mouth shut. Life pro tip for everyone.

2. Critically, liking something doesn’t make it good. Not liking it doesn’t make it bad. In all creative mediums, it is extraordinarily tricky to properly label criticisms (positive and negative) of designs made by creators. Two examples from recent films: I loved Bad Times at the El Royale, but recognize it had several elements that wouldn’t land with many audiences. I absolutely hated The Post. I normally love political thrillers, it was nominated for 6 Golden Globes, made several best-of-the-year critics lists. Good? Bad? These are subjective terms.

Now, that said, there’s plenty of escape room design decisions that I don’t like. Or even hate. As a player. It’s important to distinguish that these are simply not-my-thing. There’s surprisingly few designs that can be objectively labeled.

Nate’s Personal List of Escape Room Oh No No’s, Part 1

These designs do NOT treat-my-self.

• Permanent low lighting. Not to be confused with complete darkness, ambient lighting, or temporary-we-get-the-lights-up-later scenarios. My vision isn’t perfect, and I do not respond well to artificially inflating the challenge of a game by making things harder to see. It’s (often, but not always) lazy design, and frequently used to mask less-than-perfect production design.

• Unlabeled Lock Orgies

• Getting blindfolded/hooded before entering a room. I don’t have too strong a beef with this, but I also think it adds little to the immersion of an experience. Importantly, the teammates I most frequently play with have severe issues with improperly disinfected items coming into contact with their mouth and face. How often do they wash these things, we’re left to wonder.

• Inattentive Game Masters. Not strictly a design decision, but an exacerbating factor. If an escape room design requires precise hinting (not necessarily a bad thing at all), an inattentive/inexperienced GM can immediately sink the experience.

• Multiple color puzzles. I’m color blind. I cannot do most color puzzles. This is fine, my teammates can see color just fine and I can often find other things to work on during a color puzzle solve. However, if puzzle after puzzle after puzzle contains color elements, the experience is dead to me.

• Red herrings. Ugh.

Also ruin things.

Stay tuned for parts 2 – N!

-Nate

I love locks.

I love locks.

There’s a war going on. It’s mostly invisible, the stakes aren’t high, the combatants are few, but that doesn’t matter! Today I will discuss my allegiance to an increasingly maligned core component of the room escape revolution.

Room escapes are evolving very quickly. When the industry began a few short years ago, the highest technology you might find in a cutting edge room was a laser pointer. Now, we’re seeing all sorts of advanced gadgetry and Hollywood-caliber set design from some of the larger players in the industry. Not all of this advancement is good or necessary, as I wrote in a previous blog post, but the general trend is, in my opinion, a very positive one for players.

Puzzle Break: Escape the Rubicon contains multiple locks.

An unfortunate side effect of the industry’s rapid growth in popularity and complexity is the rise of what I call the “Enthusiast Echo Chamber”. There are a handful of folks out there who:

• Love room escapes, likely having experienced dozens and dozens.
• Have extremely strong opinions about design as it pertains to them only.
• Are unaware of the existence, or even the possibility of the existence of opinions/perspectives that aren’t their own, particularly those of completely new players.

For lack of a better term, I will label these folks “Comicbook-guy-enthusiasts” or CGEs. I want to be very clear that this group is hardly representative of the otherwise awesome core group of room escape superfans (without whom this industry wouldn’t exist), only a small subset.

Fun fact: Comic Book Guy's real name is "Jeffrey Albertson"

CGEs tend to dominate online discussions about room escapes with their extremely vocal opinions. The net result is that there emerges a sort of “groupthink” about certain topics, labeling subjective choices “good” or “bad”. This is not a good thing, and I want to focus on a particular topic near and dear to my heart.

Go ahead, try and open me.

Somewhere in the past year, the basic (pad)lock has fallen out of favor with the CGE. And you know what? They have a point. There can indeed be correlation between a room having old fashioned locks and the room being a bad experience.

• Basic locks are often a lazy designer’s tool. Don’t know how to craft an interesting experience flow? Can’t think of a way to gate progress interestingly? Throw some more locks at the player. This can get old.
• Locks can be used in a very frustrating way. A very common (and enormously valid) complaint from lock haters comes from what I call a “lock orgy”. This is where the players currently have access to 27 locks, often many of the same type, and they solve a puzzle to receive a three digit code. Which lock does it go to? It’s hard to argue that trying a correct combination on 26 incorrect locks is fun.
• Locks are low-tech. Some CGE folks won’t give rooms the time of day if there aren’t dozens of pieces of tech and gadgetry, no matter how faulty. I don’t subscribe to this argument one bit despite having put out arguably the most technically complex room escapes in existence. Low tech isn’t objectively good or bad, and shouldn’t be judged as such.

I stand before you today with a full-throated defense of the use of basic locks in the room escape experience. I love padlocks. I love combination locks. I love number locks. I love finding keys. I love word locks. I love ‘em all, can’t get enough of ‘em.

Used properly, locks in a room escape experience are amazing. That dopamine rush of gaining access to a previously forbidden container or space cannot be overstated. The tactile sensation of turning that key, of lifting that shackle. Mmm. Yes. As a player, I love entering a new room and seeing a bunch of juicy locks, waiting to be opened. As an owner, I’ve lost count of the number of times I’ve seen players explode with joy when they bust open a lock. And from a design perspective, granting that rush is fairly inexpensive. As long as their presence in the game flow makes logical sense, and a bad lock-orgy is avoided, locks are simply great. You'll likely find locks of assorted variety (even the high tech kind) in most every Puzzle Break experience for years to come.

Basic locks might not be the coolest kid on the block anymore, but they bring the fun. And at the end of the day, that’s all that matters.